| ID | Interpret | Skladba | Album | |
181
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. | Charles Van Winkle | New Audio Restoration Technology in Adobe Audition 3 | |  |
182
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. | Craig Stuart Sapp | Performance Authenticity: A Case Study of the Concert Artist Label | | |
183
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. | Mike Casey | Using the Field Audio Collection Evaluation Tool to Aid Selection for Preservation | | |
184
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. | Emil R. Pinta | The First RCA Victor Recording of 1948: Petrillo, Truman and the 1948 Recording Ban | | |
185
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. | Anne Danielsen | Media Signatures and Digital Technology in Contemporary Popular Music | | |
186
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. | Anne Danielsen | Media Signatures and Digital Technology in Contemporary Popular Music | | |
187
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. | Bill Schurk | It Was 40 Years Ago Today: An Analysis of Billboard's March 30, 1968 Issue | | |
188
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. | Mike Casey | Why Analog Playback is Critical for Successful Audio Preservation | | |
189
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. | David Giovannoni | First Sounds Initiatives | | |
190
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. | Craig Stuart Sapp | Performance Authenticity: A Case Study of the Concert Artist Label | | |
191
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. | Brandy Karl | Saving Our Sounds : Changing Copyright to Preserve Access to Audio Heritage | | |
192
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. | Bill Schurk | It Was 40 Years Ago Today: An Analysis of Billboard's March 30, 1968 Issue | | |
193
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. | Emil R. Pinta | The First RCA Victor Recording of 1948: Petrillo, Truman and the 1948 Recording Ban | | |
194
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. | Cary Ginell | The Jazz Man Record Shop: Anatomy of an Institution | | |
195
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. | Jay McKnight | Standard Alignment Tapes: A History at Ampex | | |
196
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. | Gary Galo | The Columbia LP Equalization Curve | | |
197
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. | Rob Bamberger | Preview of the National Recording Preservation Board's Study on the Current State of Recorded Sound Preservation | | |
198
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. | Gary Galo | The Columbia LP Equalization Curve | | |
199
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. | Dorottya Fabian | Trends and Individual Differences in Performing Solo Bach: A Case Study of Heifetz & Milstein | | |
200
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. | Dennis D. Rooney | Artur Rodzinski: A Re-evaluation of his Career and Discography on the 50th Anniversary of his Death | | |
