| ID | Interpret | Skladba | Album | |
| 151. | American Watercolor Movement | She Danced Like A Demon | It Takes 15 To Tango In My Book, What Book Do You Read? |  |
| 152. | American Watercolor Movement | Roman Coin | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 153. | American Watercolor Movement | Because Of What You Wear | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 154. | American Watercolor Movement | Flowers For Catalan | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 155. | American Watercolor Movement | It Takes Fifteen To Tango In My Book | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 156. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 157. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 158. | The One AM Radio | Reckoner | Loose Ends: Rare & Unreleased Tracks | |
| 159. | Passion Pit | Sleepyhead | Loose Ends: Rare & Unreleased Tracks |   |
| 160. | in.stora | idiot | how comes you dont get bored of all the happy ends on screen? | |
| 161. | in.stora | idiot | how comes you dont get bored of all the happy ends on screen? | |
| 162. | Lucinda Williams | Deportee | Dark Side Of Life Loose Ends & Scattered Songs | |
| 163. | Lucinda Williams | Deportee | Dark Side Of Life Loose Ends & Scattered Songs | |
| 164. | Cursive (www.interpunk.com) | Dispenser | The Difference Between Houses And Homes (Lost Songs and Loose Ends 1995-2001) | |
| 165. | Barry & Stacy Solomon | Golf for Beginners | Michelle Wie/Lorena Ochoa:Opposite ends of the leaderboard, Where to keep your eye on the ball and Does playing with better golfers make you a better golfer? | |
| 166. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 167. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 168. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 169. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 170. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 171. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 172. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 173. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 174. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 175. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 176. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 177. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 178. | I Forgot | To Use Josh | Eagle God Book Book | |
| 179. | I Forgot | My Pencil | Eagle God Book Book | |
| 180. | I Forgot | Why Are You Alone? | Eagle God Book Book | |
