| ID | Interpret | Skladba | Album | |
| 31. | American Watercolor Movement | Pre-War Stoves | It Takes 15 To Tango In My Book, What Book Do You Read? |  |
| 32. | American Watercolor Movement | C'est La Vie Gueule De Fuch | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 33. | American Watercolor Movement | Sweet Thursday | It Takes 15 To Tango In My Book, What Book Do You Read? | |
| 34. | Burt, Hoffman, Krapp | Visual World questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 35. | David Rosenthal | If Books are History, How Can the Future Have a Past? | Text & Image: From Book History to the Book is History (Feb2) | |
| 36. | Richard Burt | Border Skirmishes: Weaving Around the Bayeux Tapestry and Cinema | Text & Image: From Book History to the Book is History (Feb2) | |
| 37. | Daniel Clancy | Indexing All the World's Books: Future Directions and Challenges for Google Book Search | Text & Image: from Book History to the Book is History (Feb2) | |
| 38. | Barbara Cohen | Introduction to Artifacts | Text & Image: From Book History to the Book is History (Feb2) | |
| 39. | Mark Dimunation | The Thingness of the Digital Object: A Curatorial Dilemma | Text & Image: From Book History to the Book is History (Feb2) | |
| 40. | Clancy, Davis, Franklin, Jain, Rosenthal | Future questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 41. | Donald Hoffman | The User-Interface Theory of Perception: Implications for the Evolution of Text and Image | Text & Image: From Book History to the Book is History (Feb2) | |
| 42. | Blanchette, Cho, Gelfand | Signatures and Typography questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 43. | Steve Franklin | Introduction to Future | Text & Image: From Book History to the Book is History (Feb2) | |
| 44. | Jane O. Newman | Forged Under Fire: The Fate of Libraries in Times of War | Text & Image: From Book History to the Book is History (Feb2) | |
| 45. | Cohen, Dimunation, Newman | Artifacts questions | Text & Image: From Book History to the Book is History (Feb2) | |
| 46. | I Forgot | My Pencil | Eagle God Book Book |  |
| 47. | I Forgot | Why Are You Alone? | Eagle God Book Book | |
| 48. | I Forgot | Sea | Eagle God Book Book | |
| 49. | I Forgot | Erection | Eagle God Book Book | |
| 50. | I Forgot | Chex Mix | Eagle God Book Book | |
| 51. | I Forgot | To Use Josh | Eagle God Book Book | |
| 52. | Edward Ayers | Seeing History | Text & Image: From Book History to the Book is History | |
| 53. | Emily Rosenberg | Introduction to History | Text & Image: From Book History to the Book is History | |
| 54. | Anne Burdick | Composite Reading: Text and/as Image | Text & Image: From Book History to the Book is History | |
| 55. | Jackie Dooley | The Real Stuff: Why Original Artifacts Still Matter | Text & Image: From Book History to the Book is History | |
| 56. | Sharon Block | Seeing History Response | Text & Image: From Book History to the Book is History | |
| 57. | Chandler, Dooley, Tanji | Collections questions | Text & Image: From Book History to the Book is History | |
| 58. | Robert Folkenflik | Anonymous Johnson | Text & Image: From Book History to the Book is History | |
| 59. | Robin Chandler | University of California Libraries and the Implication of Mass Digitization | Text & Image: From Book History to the Book is History | |
| 60. | Barbara Cohen | Conference closing remarks | Text & Image: From Book History to the Book is History | |
