| ID | Interpret | Skladba | Album | |
| 151. | Marilyn Taylor, soprano; Gary Arvin, piano - Joseph Marx 30 Songs High Voice/Medium Voice Original Keys HL00000409 | Standchen - Full Performance | |  |
| 152. | Marilyn Taylor, soprano; Gary Arvin, piano - Joseph Marx 30 Songs High Voice/Medium Voice Original Keys HL00000409 | Die Elfe - Full Performance | | |
| 153. | Marilyn Taylor, soprano; Gary Arvin, piano - Joseph Marx 30 Songs High Voice/Medium Voice Original Keys HL00000409 | Nachtgebet - Full Performance | | |
| 154. | David Small, baritone; Gary Arvin, piano - Joseph Marx 30 Songs High Voice/Medium Voice Original Keys HL00000409 | Bitte - Full Performance | | |
| 155. | Sung by Sharon Garvey - Wedding Classics High Voice 00740053 | Ave Maria - Full Performance | | |
| 156. | Marilyn Taylor, soprano; Gary Arvin, piano - Joseph Marx 30 Songs High Voice/Medium Voice Original Keys HL00000409 | Standchen - Full Performance | | |
| 157. | Sung by Kathleen Sonnentag, mezzo-soprano - 48018053: American Arias - Mezzo-Soprano | There is a garden - Full Performance | | |
| 158. | crashbonsai | high performance for a few animals | [insub08]shit on scissors: splatter data for fake minds | |
| 159. | New Order | Chosen Time - Last Performance | | |
| 160. | Michael Vincent | Crean defends ALP performance | The World Today - October 27 | |
| 161. | Kenneth Moore | Performance Evaluations Such A Pain | JobDig | |
| 162. | Amit Pitaru | Performance on SWS April 2008 | http://transition.turbulence.org/networked music review/ | |
| 163. | Kenneth Moore | Performance Evaluations Such A Pain | JobDig | |
| 164. | Lee Ann Brown | Performance of Blake's Ah, Sunflower! | Segue Reading Series / NY, May-15-2004 | |
| 165. | Kurt Ollmann, baritone; Richard Walters, piano - Anthology of Italian Opera - Baritone HL50484603 | Tu se morta - Full Performance | | |
| 166. | from The Singer's Gilbert & Sullivan, Women's Edition, 00740055 | When Frederic Was a Little Lad, full performance | | |
| 167. | Sung by Brad Cresswell - 50481099: Arias for Tenor | Be not afeard - Full Performance | | |
| 168. | Red | Circus Performance Intro | Tempo | |
| 169. | ICOS 2005 | ²Ä¤T¤Ñ¡GHigh Performance MySQL | | |
| 170. | Ross Dawson | Improving Performance & Profitability | Connections | |
| 171. | Doug Crosby | God's Final Performance Review | The Book of Revelation | |
| 172. | crashbonsai | high performance for a few animals | [insub08]shit on scissors: splatter data for fake minds | |
| 173. | Amit Pitaru | Performance on SWS April 2008 | http://transition.turbulence.org/networked music review/ | |
| 174. | Sung by Kathleen Sonnentag, mezzo-soprano - 48018053: American Arias - Mezzo-Soprano | Shaun, do not go - Full Performance | | |
| 175. | Sung by Kathleen Sonnentag - 50484624: G. Schirmer American Aria Anthology - Mezzo-Soprano | Must the winter come so soon - Full Performance | | |
| 176. | Martha Cares, soprano - Musical Theatre Classics Soprano Vol. 1 HL00740036 | So in Love - Full Performance | | |
| 177. | Medium Voice Original Keys HL00000409/Carol Stuart, soprano; Robert L. Larsen, piano - Joseph Marx 30 Songs High Voice | Der Gefangene - Full Performance | | |
| 178. | Lanier Burns | Perspective Is More Important than Performance | Dallas Seminary Chapel | |
| 179. | Andrew Schroeder, baritone, Bill Casey, piano - Sacred Classics - Low Voice HL00740052 | The Palms - Full Performance | | |
| 180. | Dr Roberta Mock | Avant Garde Performance | Resonance FM Podcast | |
